#Smarky puppy tenor solo full

Bob Reynolds, who moved to Los Angeles in 2008, has in recent years been playing, touring and recording with Snarky Puppy he is featured on We Like It Here. After moving to New York he performed in a wide variety of styles with many groups including five years with singer-songwriter Jonah Smith and six on which he toured the world with John Mayer. Reynolds gained experience playing with much older musicians in the Beaches Preservation Swing Band, worked locally, and earned a degree from Berklee where he had influential lessons from Hal Crook and George Garzone. While he was originally interested in film music and becoming a director, once he started playing the alto sax in junior high school (three years later switching to tenor), he became devoted to becoming a musician. Reynolds was born in Morristown, New Jersey and spent much of his childhood growing up in Jacksonville, Florida. Hindsight is his seventh CD as a leader and his first studio album leading a classic jazz quartet. The most salient aspect of the Horne Electric Band though is the remarkably closely knit, tight ensemble work.Bob Reynolds is an impressive tenor-saxophonist with an original tone who has gained fame for his work with Snarky Puppy and John Mayer. The closer, “The Wah Wah” song is perhaps self-explanatory, but notably the bass really reverberates on this one while the melody is one of the smoothest in the set.Ĭall it modern fusion or horn-driven funk, it will get your blood moving and feet tapping. “Babysmacker,” the single, begins with a funky bassline and ensemble work before McCaslin enters with a rapid-fire tenor solo. ”Stixx Lixx,” the longest piece at six and half minutes, features considerable malletkat and vibraphone from Blanton before Ellis enters with his expressive tenor solo, as the other horns harmonize.

“Dudes in Flannels” is another core band piece with a filthy funky bass line, percolating beats, synth from Blanton and horns from Boulares and Tucker. “Cunning Linguist” is mostly a dialogue between Blanton’s synth and Loueke’s guitar and its various effects to create a rather classic fusion groove.

#Smarky puppy tenor solo full

“In That Order” begins with Blanton creating the melody on synthesizer before the full band joins, yielding then to a conversation between Blanton’s synth and Potter’s sax. Similarly “Magnum’s Stash,” is a core band piece, a bit slower and funkier through wah-wah effects. ”He Fixes the Cable” is a brisk, relatively complex rhythm piece with some vocals, vibes, bass, trumpet and sax solos with tight ensemble work by all, especially Boulares and Tucker. “Freedom Fried” is an ensemble piece with Scofield taking the lead midpiece. Gleaning the titles, the sense of humor is fully evident in titles like “I’ll Put Pants On,” “Magnum Stash,” “Dudes in Flannels” and “Stixx Lixx.” The opening “I’ll Put My Pants” sets the groove with a spoken hip introduction followed by solos from Maher, Bullock, and Blanton on vibes. So, unlike many bands in this kind of genre, the funk is driven mostly from the horns and the rhythm section. Notably, the band has no keyboard players per se as leader Blanton primarily contributes vibes, excepting the synthesizer-driven tunes. The album has 10 tracks, clocking in at just under 50 minutes, marked by a sense of humor, fun and spontaneity in the playing, most of which features tight arrangements, spirited interplay and relatively economical solos except where the guests assume the spotlight. The band enlisted some high profile guests for this debut including by saxophonists Chris Potter (“In That Order”), John Ellis (“Stixx Lixx”), and Donny McCaslin (“Babysmacker”), as well as guitarists Lionel Loueke (“Cunning Linguist’)and John Scofield (“Freedom Fried”). The horns consist of Wayne Tucker (trumpet), Yacine Boulares (tenor saxophone), as well as the Snarky Puppy horn team of Mike Maher (trumpet) and Chris Bullock (tenor saxophone. The band is a collaborative outgrowth of vibraphonist Tyler Blanton’s work on the mallekat and synthesizsers, with bassist/producer Massimo Biolcati and drummer Corey Rawls anchoring the rhythm section. They integrate current electronics soundscapes with horn section centric arrangements. It’s a relatively new band formed in 2017, having toured the northeast and internationally.

The New York City-based Horne Electric Band brings jazz fusion to a heightened level, merging all the great sounds from ‘60s’ and ‘70s classic soul and jazz with a contemporary touch that gives it an infectiously funky feel.